Saturday, July 28, 2012

Team USA, London2012



The opening ceremony was an extravaganza that revealed much of the Anglo-Saxon soul, from its love of a boy soprano singing "Jerusalem," to the pagan bonfire of the lit cauldron.

The American commentary was uniformly dreadful. During the healthcare/children's literature scene: "These kids don't look too sick," and just too many other lines to quote. I choose not to think about that right now.

I am a fan of the US uniforms, although the China manufacturing is UNFORGIVABLE.

The berets look better on the athletes than they did in the renderings and on the models. Love the longer skirts on the women, and the white socks and sneakers.

For context (yes, a jab at NBC's decision not to livestream opening ceremony) photos from Games past, from a great slideshow over at Sports Illustrated, with vintage photos of Olympic fashion through the years. All credits over there.







Sunday, July 1, 2012

Andrew Sarris: Looking at Radio & Television with me

I'm 2 for 2 for being out of town when a distinguished critic of my acquaintance dies. First Paul Fussell, who I studied and learned to drink scotch with, and on June 20, Andrew Sarris, who I worked with on a screening exhibition at the then Museum of Television & Radio in the 1990s as editor of his essay for us.

As many recalled, Sarris was an intellectually generous man who was always interested in a good discussion about film and its place in modern culture and didn't patronize the young and not famous.

For a series of museum monographs, we asked critics from different disciplines to look at our collection and chose programs that interested them. For Sarris we specifically asked him to look at actors from stage & screen who appeared on radio and television. From his essay on the importance of radio and TV to capture performances:

To listen to even a 45-minute Streamlined Shakespeare on the radio in 1937 starring an over-the-hill John Barrymore in recitations of his classic roles of the 1920s, such as Hamlet and Richard III, was better than no Shakespeare at all. And, certainly, no listener in 1937 could have anticipated that a not yet pop-legend Humphrey Bogart would contribute such a fantastic collector's item to posterity as his reading of Hotspur's death scene in a truncated radio adaptation of Henry IV.

Tallulah Bankhead in the Theatre Guild on the Air: All About Eve in 1952: People in-the-know insisted that Bette Davis imitated Bankhead in The Little Foxes and All About Eve in 1950. Here, in 1952, the original had a chance to play a role made famous by her alleged mimic. Joseph L. Mankiewicz's very literate script lent itself well to radio adaptation.  Lux Radio Theatre: Dark Victory with Bette Davis and Spencer Tracy in 1940. Here Davis reprised her tear-jerking screen success of a year earlier. Tracy would have been too big a movie star to play the thankless supporting role of her leading man on the screen, but on the radio the biggest stars could drop a notch or two in status without embarrassment.

snips

On TV, George Cuckor's production of James Costigan's Love Among the Ruins achieved a lyrical power in the twilight glow exuded by Laurence Olivier and Katharine Hepburn in the 1970s. Blythe Danner and Frank Langella breathed new life into Tennessee Williams's The Eccentricities of a Nightingale, the playwritght's preferred version of the stage and screen drama that was called Summer and Smoke. The Iceman Cometh on TV was generally considered superior to the earlier Broadway production of Eugene O'Neill's greatest play. Katharine Cornell in Producer's Showcase: The Barretts of Wimple Street in 1956 offered television audiences an opportunity to see a theatrical legend who had studiously avoided movies, except for a cameo in Hollywood Canteen.

Olivia de Havilland & Jason Robards, Jr. in ABC Stage 67: Noon Wine in 1966, directed by Sam Peckinpah: Peckinpah's direction of deHavilland and Robards in his adaptation of a bizarre short novel by Katherine Anne Porter throws light on a more complex sensibility than was indicated in many of the violent movies he later directed. Ingrid Bergman in Hedda Gabler, 1963: Bergman never got to do Ibsen in all her years in Hollywood, and certainly not with a cast as brilliant as Michael Redgrave, Ralph Richardson, Trevor Howard, Dilys Hamlett, and Ursula Jeans. This is television at its most culturally ambitious.

snips

We shall never hear Garrick and Coquelin, but our descendants will hear Gielgud and Olivier, and once radio was followed by TV, their images would be preserved along with their voices. Helen Hayes, Katharine Cornell, Celia Johnson, Laurence Olivier, Vanessa Redgrave, Judi Dench, Kim Stanley, Ralph Richardson, Michael Redgrave et al. have found a permanent home in the electronic memory of television, which like radio, never realized its ultimate role in the preservation of acting traditions until it was almost too late. To this end this exhibition is dedicated.

Reading the list of actors and actresses that interested Sarris in our collection reminds us that he was born in 1928, and had a classical eye in terms of the pantheon of great performances. He was a link to this history of actors and roles with an oceanic knowledge and deep love of the art form. Some of this work is fading as we lose his generation. He cited Helen Hayes in Robert Montgomery Presents: Victoria Regina in 1951: Hayes re-created her most celebrated Broadway role for the comparatively new medium of television, which invariably gave her the Great Lady treatment for millions who had never seen her in the theater.  There are few left who would know or care about Hayes's signature performance. Rest in peace, Mr. Sarris.

Wednesday, June 13, 2012

Bloomsday in Rome; Polyphonic Grief on the Adriatic



Through much good luck I will be in Rome this Saturday, which is Bloomsday! Joyce moved there on July 31, 1906, with his young family when the school he was teaching in in Trieste had financial troubles and his employment wasn't certain.

Joyce very specifically chose to move to Rome,  but his time in the city was not happy. One big mistake was taking a position in a bank.  Jonathan deBurca Butler offered some very interesting thoughts about Joyce in Rome in Verbal magazine:

"From the very beginning his letters to Stanislaus speak negatively of the city and its people. His work in the bank was soul destroying. He often had to work 12 hours a day, copying out up to 200 letters James Joyce text portraitin an office where he had no interaction with the public.

His struggle was compounded by his drinking; a vice that infuriated his landlady, Signora Dufour and towards the middle of November she requested that he leave the accommodation on Via Frattina. Joyce expected to charm his way out of the tight spot but the Signora kept her word and he found himself out on the streets with a young family and nowhere to go. After four days searching, with suitcases and child in tow, he moved into 51 Monte Brianzo.

Today the area, which is near the wonderful Piazza Navona, is by no means objectionable but was rather grim in Joyce’s time. The house was located beside the river that Joyce disliked so much. 'The Tiber frightens me', he wrote. Its deep gorge and hasty waters apparently no match for the Liffey’s more placid demeanour."

It's too bad Joyce had such a rotten time in Rome, but with friends Alaric & Maurizio at the Irish-owned Scholars Lounge it will be an excellent place to celebrate the great writer on his special day.

When David Heard
From Rome I go to Ancona, an Adriatic seaside town, for a choral week with Patrick Craig built around the the text from 2 Samuel 18:23:


"When David heard that Absalom was slain, he went down to his chamber over the gate, and wept: and thus he said: 'O my son Absalom, my son, my son Absalom. Would God I had died for thee, O Absalom, my son, my son!"

We will sing multiple versions of this text of epic grief set by many Renaissance composers, which are some of the the most glorious choral pieces ever written. I'm such a sucker for bringing polyphony to life in the 21st century with other choral nerds. It's a nice bonus when it's an international bunch.

No blogging for a while. Please follow me on Twitter for tweets from Italy.

Saturday, June 2, 2012

A Rare Long Weekend: The Jubilee Queen Meets the Transit of Venus

Americans don't have Jubilees. The only way I can think of that we relate to the word is Cherries Jubilee. And that, it turns out, was created by Escoffier for one of Queen Victoria's Jubilees (she had a Golden in 1887 and a Diamond in 1897).

The Catholic Church has Jubilee years, during which plenary indulgences may be obtained by the performance of certain pious acts, but probably the less said about that the better.

Today is the 59th anniversary of the coronation of Queen Elizabeth II, televised, at her request, in order to open up the ceremony. The only part not on camera is the holy anointing by the Archbishop of Canterbury, which is what made her Head of the Church of England.

Elizabeth actually ascended to the throne on February 6, 1952, when her father King George died. (The King is dead, long live the Queen.) But there were very formal ideas of mourning back then, and it was not considered proper to have such a joyous occasion until more than a year after such grief.

The official royal website thediamondjubilee.org has a wonderful amount of information and pictures. 

Old Rituals in the 21st Century

So the United Kingdom is swaddled in bunting this weekend through to Tuesday, the core of the celebrations, starting with Epsom Derby today.

The big idea events are the Flotilla down the Thames, inspired by an earlier pageant, and the Jubilee Beacons.


The Daily Mail explains:
"Three hundred and fifty years ago, on August 23, 1662, the River Thames disappeared.

The extraordinary sight was witnessed by one of the greatest observers of all time, the diarist Samuel Pepys, who, with his gift of being in the right place at the right time, had secured himself a vantage point on the roof of the new Banqueting House at Whitehall, overlooking the river.
 

Or rather, where the river should have been.
 

Instead, it appeared boarded over, such was the mass of vessels great and small crowded on it. Pepys estimated there were ‘a thousand barges and boats, I think, for we could see no water for them’."

At high water in the afternoon of Sunday 3 June 2012, up to a thousand boats will muster on the River Thames in preparation for the Thames Diamond Jubilee Pageant.

The Queen, accompanied by The Duke of Edinburgh and other members of the Royal Family, will travel in a Royal Barge as a centerpiece of the flotilla.

Back to The Daily Mail:
"At the head of the procession will be the new royal barge: 88ft long, with 18 rowers, a canopied pavilion amidships and a high stern, richly carved and gilded with river gods and goddesses and the royal arms.

It will look like the royal barges of old and be named the Gloriana after the first ‘Queen Elizabeth of Famous Memory’. According to Margaret Rhodes, the Queen’s cousin and confidante, Her Majesty has mixed feelings about this spectacular display.
‘Excitement is not quite the right word,’ says Mrs Rhodes. ‘She slightly dreads the ship thing.’"


Slightly dreading "the ship thing." That's why people love this Queen. She is very down to earth.

The other call back ritual will be the Jubilee Beacons. Something else for which there is no American equivalent.

There is an ancient tradition of bonfires across Great Britain, sometimes used for signaling (fictionalized in The Lord of the Rings with the fires of Gondor.) They are lit for Guy Fawkes celebrations, and they were lit for Queen Victoria's Jubilees (great photos on the Beacon website).

New York Times: Royal Room for Debate
The NYTimes has pulled together one of its multi-voices Op Ed section for the Jubilee, lots of interesting ideas.

I know it's easy to mock the pomp and circumstance of the British Monarchy.  The history of the British Empire is bloody and immoral on many points. But you know what? Most of history is bloody and immoral.

It is human nature to build institutions and rituals. The Anglo Saxons happen to be particularly good at both.

But more than that, it is the personal stories of people who fate has put in some extraordinary circumstances, like 26-year old women who rose to Queen because of a family abdication, that appeals to me. She has been Queen through the decline of the British Empire, but she will be remembered as a great monarch.

She has recovered from her one large misstep--simply not understanding how Diana had revolutionized the institution while suffering from some very modern infirmities.  And everything about her trip to Ireland was pitch perfect.


The Jubilee, like weddings, isn't for the participants. It's for the family. Some people don't care about it. Fine. Clearly there are many others who find some meaning or at least joy in considering the woman who has been the titular head of their government for 60 sixty years, something that brings friends and family and neighbor together. And adding some joy to a personal life is about the best thing a government can accomplish.


And Then There's that Transit
I  also like the "once in a lifetime" essence of the activities. And, it turns out, the 2012 Transit of Venus  will occur in the middle of Jubilee celebrations, on June 5/6.

From Wiki:
A transit of Venus across the Sun takes place when the planet Venus passes directly between the Sun and Earth, becoming visible against (and hence obscuring a small portion of) the solar disk. During a transit, Venus can be seen from Earth as a small black disk moving across the face of the Sun. The duration of such transits is usually measured in hours (the transit of 2004 lasted six hours). A transit is similar to a solar eclipse by the Moon. While the diameter of Venus is almost four times that of the Moon, Venus appears smaller, and travels more slowly across the face of the Sun, because it is much farther away from Earth.


Transits of Venus are among the rarest of predictable astronomical phenomena.[1] They occur in a pattern that repeats every 243 years, with pairs of transits eight years apart separated by long gaps of 121.5 years and 105.5 years.

The next one isn't until 2117. Imagine that. What are the odds of this transit intersecting with QEII's Diamond Jubilee? Astronomical, I'd say.  But then, she was anointed with holy chrism at that coronation . . . . Maybe if we had a soothsayer more could be revealed about the "meaning" of these two once-in-a-lifetime occurrences.

And now for C.G.P. Grey

My very favorite "explanation" is "What is the United Kingdom?" Best Venn diagram ever, and really does explain the differences between Great Britain; UK; England, Scotland, Wales, etc.

Monday, May 28, 2012

Paul Fussell, Scotch, a Birthday & the Sophomore: A Shaggy Dog Story

In May 2012, just as I was leaving for Memorial Day weekend in the South, fate decreed it was time for Paul Fussell's obituary to run. The Guardian had a very fair assessment of his award-winning The Great War and Modern Memory, including both John Keegan’s "an elegaic commentary" and Philip Larkin’s "obscene nonsense." 

It's an Irish custom to tell stories at the wake, one he appreciated, so I offer this Paul Fussell tale of thrills, chills, and romance.

Here's the punchline: I almost had some serious liver damage from a very private dinner party he threw, which in no way is a commentary on his alcohol consumption or alcohol ethos. It's just a statement of fact in a funny story. And along the spine of the story was this:

At Rutgers, where he was an English professor for many years, I was smitten with a junior art/psychology major whom I'll call the Artist; a French major whom I'll call the Navigator was smitten with me; and Fussell was intrigued by the Navigator for a time, which brought him into our personal spheres outside of his professorial role.

All Because of T.E. Lawrence
I met Fussell as an incoming Freshmen at Rutgers College, still intoxicated (metaphorically)  from my high school reading of T. E. Lawrence's Seven Pillars of Wisdom. I had seen in the course catalogue that Fussell taught a class in literature of the First World War and I assumed Lawrence would be in it. I had no idea who Fussell was nor what the National Book Award was, so it was easy to go to his office hours to see if I could take the 300 level class as a freshmen (!) confident as I was in my knowledge of the Turkish campaign. He told me T.E was not in the curriculum, but invited me to sign up. As a freshman. The class was literary catnip for me and brought me a treasured lifelong connection to Wilfred Owen, Siegfried Sassoon, Edmund Blunden, and Robert Graves's Goodbye to All That.

In the fall of my Sophomore year I registered for Fussell's 18th century class, as did the Navigator, even though he was a French major. It was part of his plan to declare himself to me to start taking classes I was in and joining activities I was involved with.  That's how my suitor came into Fussell's sphere.

Navigator was older than the rest of us, having gone into the Navy for 2 years to help pay for his college. Maybe he was 25, I never asked, but he had a remarkable sense of classical youth about his face. He wasn't extremely handsome, like the Greek Adonis, or pretty beautiful, like Narcissus, but there was an openness and timelessness about him that would be very intriguing (not sexually) to a man of Fussell's sensibilities in middle age. 

A Birthday, Halloween, Mononucleosis, and A Dinner Invitation
Across this little morass of cross interests several things happened in rapid succession: My birthday is October 21, and the Navigator told me he had a special present for me, but it wasn't ready yet. In the meanwhile, I was going through the emotional ringer repeatedly with the Artist, while doing very intense work on the courses I was carrying, and taking part in all the extra-circular activities college has to offer. On Halloween, which was a Friday that year, my dorm threw a major party. Somewhere in the early morning hours I knew I didn't feel well, and went to bed. I woke up some hours later in violent physical spasms: I was extremely ill.

My roommate was away, and it was the dark ages with a phone only in the hall, not that it mattered because my tongue was swelling up. It was one of the scariest mornings of my life. I fell onto the floor, and literally crawled to my neighbor's door and fell against it. Thank God she opened it, and got help. Rutgers had an accredited hospital wing in Hurtado, on College Ave., and I was admitted.

Diagnosis: mononucleosis, a very severe case. I had not "felt tired" leading up to it, which is why the onset was so violent. I had a high fever, my glands were swollen everywhere, and I had welts on my legs below my knees (which Hurtado being connected to a teaching hospital, brought little teams of residents in every day to look at).

Friends came to visit, Reagan was elected president, and the Navigator sent along a distinctive monarch size envelope with the 26 Lilac Lane, Princeton return address. It was an invitation for dinner for the two of us with Paul Fussell at his home. The Navigator had gone to Fussell and asked if he would invite "us" over for dinner as a birthday present for me. Beneath the crustiness, PF was a not-yet-cured romantic; he was drawn to the Navigator himself, and knew me as the crazy T.E. Lawrence lover, and so he agreed. The planning had been going on for a while, as PF looked to confirm a date, which he had now done for November 16. But there I was, in the hospital, on November 1.

There isn't any specific treatment for mono. Once the fever was over, and all the swelling down and I was re-hydrated, it was the classic "bed rest." I was discharged from the hospital on Sunday, November 9, when my parents had come over to help me get back to my room. It's a little unusual to get discharged on a Sunday, because it is a skeleton staff. I don't remember receiving any medical instructions (an important point later on) nor a follow-up appointment. After all, it was "just" mono.

Back in my room, I had a week to sleep to be ready for that dinner party.

"What can I get you to drink?"
Sunday the 16th came, and the Navigator and I took the bus from Rutgers to Princeton. I wasn't feeling great, but I was so happy that I was well enough to go that I didn't think much about it. (And that became part of the problem.)

PF was warm and inviting. He had invited a graduate student couple too, to round things out, to whom he introduced the Navigator and me as "two of his favorite undergrads."

I was nervous, of course, and then things took an unfortunate turn when our host naturally asked, "what can I get you to drink?"

I didn't really drink at that time. It wasn't a conscious decision not to drink, I just wasn't in a clique where the point was drinking. I knew I didn't like beer, and so I had absolutely no answer to that question. So I asked "what do you have?" and Fussell rattled off some stuff, and when he got to scotch and soda, for some ungodly reason, I said yes. Thank God I also said "yes" when he asked if I wanted it on the rocks.

The five of us sat in the living room where PF brought me my very first, classic tumbler of what I'm sure was excellent scotch. Whoa. That was a lot of scotch and a little soda. I don't know what I was expecting but it kicked all the way down, even if it was a velvety smooth kick.

The problem was that the drink became too much of my focus: could I keep sipping this? Was it noticeable? I started praying that maybe the ice would melt faster, which would dilute it and make it easier to drink.

Oh, were people having a conversation? I barely knew. Was I saying anything?

It was then time to move to the table. I took one more gulp and I think finished the gold liquid.

PF was serving barbequed spare ribs, which his housekeeper/cook had prepared, and pairing it, of course, with a perfect California red.

Wine. Yes, I had had wine, but not yet on top of a cocktail. Of course I could have asked for water, or a soda, but I didn't yet have the social skills to request something of a host. And so I had a some wine, even more than one glass because now everything was funny and light and without anxiety! Unsurprisingly I remember almost nothing of the conversation, happy to at least have a pretty clear memory of us all sitting at that dining room table.

Dinner slid into dessert, and he offered after-dinner drinks with the coffee which I had some wits to decline.

It was time for the Navigator and me to go. It had been a good evening and PF seemed to enjoy himself.

I Become Hemingway?
Navigator and I took the bus back to Rutgers. I wish I could say that this grand gesture on his part made me fall in love with him, but unfortunately, I was still besotted with the Artist. So he walked me to my door and went to his floor. I went into my room, and then it all hit.

I was painfully drunk, and in the worst way. It felt like my body was burning up but I was freezing. My roommate was again away (Rutgers is a quasi-commuter school for lots of people), and here I was again, stuck in my room in physical distress.

I went into our section's bathroom and lay on the floor. That felt a little better, but I was thinking death would not be such a bad thing. I had been to a private dinner party with Paul Fussell. Nunc Dimittis. But that was not to be. I kept on breathing, my hearth kept beating, as I let the waves of spinning pass over me. The Hemingyway-in-his-heyday ending to the evening was not lost on me, but it was for a very different reason. It's not that I matched Papa shot for shot, but that I had mono. The virus affects the liver as much as it does all the nodes of the endocrine system. Which is why YOU CAN'T DRINK WHEN YOU HAVE MONO. But no one had told me.

I was seriously very lucky that my liver came through intact, so that this could be a funny story of youthful folly, and not the beginning of needing a liver transplant at such a young age.

From Rutgers to the Menin Gate
For several years Fussell threw a party at the end of The Great War and Modern Memory class for all his students, on a Saturday. The year I took the class the invite read: Massenerstamlungen: To commemorate the 62nd anniversary of the German counterattack of Spring, 1918; Saturday, May 3

I remained on the edges of PF's life for the years I was at Rutgers, meeting up occasionally for lunch as his marriage ended and Harriet came into his life, and we corresponded for a good 15 years after. My interest in World War I continued long after I left college. Fussell died before I could tell him that I sang at a Menin Gate ceremony. 




Monday, May 14, 2012

The Adventure of the Speckled Wall: Sherlock, You're Needed

"On glancing over my notes of the seventy odd cases in which I have during the last eight years studied the methods of my friend Sherlock Holmes, I find many tragic, some comic, a large number merely strange, but none commonplace; for, working as he did rather for the love of his art than for the acquirement of wealth, he refused to associate himself with any investigation which did not tend towards the unusual, and even the fantastic. Of all these varied cases, however, I cannot recall any which presented more singular features than that which was associated with the well-known Surrey family of the Roylotts of Stoke Moran.

The Adventure of the Speckled Band, Strand Magazine, 1892. Watson. Surely the great grandfather of bloggers.


By the light of the corridor-lamp I saw my sister appear at the opening, her face blanched with terror, her hands groping for help, her whole figure swaying to and fro like that of a drunkard. She writhed as one who is in terrible pain, and her limbs were dreadfully convulsed. At first I thought that she had not recognised me, but as I bent over her she suddenly shrieked out in a voice which I shall never forget, ‘Oh, my God! Helen! It was the band! The speckled band!’
Such was the dreadful end of my beloved sister."



2012: The Speckled Wall
I recently experienced a frightening speckled situation, which I feared might end in ill health for myself or my kin. "Oh, my God! It's the wall! The speckled wall!"

Like its predecessor, it was also a "locked room" phenomenon, my bathroom, to be precise.

I noticed a while ago, a strange yellow substance appearing around my medicine cabinet upon my lovely sky-blue renovated wall.  I looked to see where it could be coming from, but there was no discernible source. So, with 7th Generation cleaner I tried to spray it away. It lifted a bit, but there were still very strong traces of it.

Days went by, and the yellow staining returned. Plus, there was now yellow discoloring on all the plastic bottles in the cabinet. So strange. It wasn't a film, it wasn't "wet," even though it looked like smudges. It was like a corrosion, in that the yellow staining became part of the properties (in a chemical sense) of the plastic.

The Speckling Accelerates















I sprayed away the yellowing on the wall again and again, and yet a few days later each time, the speckling was back, with a vengeance. The drip pattern was more pronounced, and the area of the speckling had increased.

It was maddening that I could find no source of this "it looks like paint dripping, but how can that be?!!" What could be causing such a chemical reaction? And was it a toxic reaction?

Finally I got my super to come look at it, to see if we needed to get the EPA involved. He thought that maybe there was water collecting behind the medicine cabinet, and that's what was causing the streaking. He asked me to empty the cabinet, and then he would remove it and see what's going on.

That is how I came to take everything off of its four shelves. And that's when I found . . .

. . .


hiding on the top shelf . . . 

. . .

. . .


. . .



. . . a tiny bottle of Iodine.


Iodine is yellow. Hmm.

When I picked it up, it was empty.


My speckling was the result of the phenomenon of "leaching," when a liquid passes through another substance, in this case, the plastic bottle. And, somehow the liquid that was in the bottle on the top shelf INSIDE THE MEDICINE CHEST became air borne and then interacted with the paint OUTSIDE THE MEDICINE CHEST. The bottom of the Iodine bottle was completely corroded (yes, right below the red skull & crossbones). Chemistry is an amazing thing.


I have no idea what the catalyst was. Iodine sits on shelves in Duane Reades across the city and they don't suddenly leach out.

No wonder Sherlock Holmes was a chemist.

Hence some of the appeal of the Conan Doyle stories: everyone runs into strange things in everyday life, and wouldn't it be great if we could all figure out what's going on.

I love the reinterpretation of the BBC Sherlock with Benedict Cumberbatch and Martin Freeman. The premise is that the original Conan Doyle character does not exist in world literature but Sherlock Holmes is living now, in London. It has great energy and wit, and it will surely lead some of new generations back to the original.

Sunday, May 6, 2012

Everyone, Meet Floria and Sidney

I had two interesting professional engagements last week, thanks to Floria Lasky and Sidney Hillman. Each had a substantial career that included service to the larger community, and each had been such a force in their own fields that after their deaths colleagues took the time and effort to create something in their names that bring people together. That's the exciting part.

I greatly admire people whose very lives bring people together. We all try to contribute to the conversation and make an impact where it will tangibly help someone, but that's a talent some people have more than others. And then there's Floria and Sidney, who can do it from the grave.

Floria Lasky

Because Floria met Jerome Robbins as a young women last century . . . there was a workshop of people who run the social media accounts for many of the city's nonprofit cultural institutions.

Here's How:
Floria Vivian Lasky was born in the Bronx on April 24, 1923, the daughter of Polish immigrants, who named her after Floria Tosca, the heroine of Puccini’s opera. She entered Hunter College at the age of 14. After graduating first in her class at New York University law school in 1945, she joined the law firm of Fitelson & Mayers, where she would stay for the next 62 years, eventually becoming a principal.

A master negotiator, she was a leader in the field of entertainment law, representing such clients as Jerome Robbins, Jule Styne, Elia Kazan, Tennessee Williams, and Carson McCullers.

Robbins was a particularly close client and friend. She knew him for more than fifty years, and continued to serve as executor of his estate as president of The Jerome Robbins Foundation and trustee of The Robbins Rights Trust until she died in 2007.

In her honor the Jerome Robbins Foundation created the Floria V. Lasky Award and Symposium. The award this year went to Paul H. Epstein, a partner at Proskauer Rose for nearly 30 years, he founded Volunteer Lawyers for the Arts and was instrumental in establishing the George Balanchine Trust and the Leonard Bernstein Office as well as helping to bring Jerome Robbins' Broadway to the stage.

To have even more direct impact on the cultural life of the city, the foundation partnered with the Rockefeller Brothers Fund to produce a workshop, Digital & Social Media Strategy: Strategy, Planning, & Implementation. It was a good Saturday afternoon at the Jerome L. Greene Space on Charleton & Varick, with presenters from leading digital agencies and the audience of people who run the social media accounts for cultural nonprofits across the city, which was excellent.

Sure I can always reach out to my social media counterparts--like Christopher Gruits at Carnegie Hall or Doug Reside at NY Public Library for the Performing arts—but in the hectic day to day of the Paley Center, I rarely do. So, thank you Floria, for helping me stay connected.

Livestream of some of the sessions.


Sidney Hillman

Because Sidney immigrated from Lithuania and became a garment labor leader . . . I met some excellent journalists whose work I might have missed, I learned something about Labor Union history, and I connected with fellow bloggers in person.

Here's How:

Sidney Hillman was the founding president of the Amalgamated Clothing and Textile Workers Union of America, a predecessor union of Workers United, SEIU. An architect of the New Deal, he fought to build a vibrant union movement extending beyond the shop floor to all aspects of workers’ lives.

Hillman died in 1946. His passing was felt as a deep personal loss by men and women in every walk of life. Before long, the union, which he had led since its founding in 1914, was besieged with requests to create a living memorial to the man who had become the spokesman for progressive industrial democracy.

The Foundation is deeply concerned with the responsibilities of a free press, including radio and television. Since 1950, the Hillman Prize program has honored contributors to the daily, periodical, and labor press, as well as authors and broadcasters.

The very first daily press winner was the great liberal columnist Murray Kempton. In later years, photography and, most recently, blogging, were added as prize categories.

The Sidney Hillman Foundation has sought to illuminate the great issues of the day—from the search for a basis for lasting peace, to the need for better housing, medical care, and employment security for all people, the promotion of civil liberties and the battle against discrimination based on race, nationality, or religion.

And so I was invited to join the Bloggers Committee by old friend Tom Watson, joining Lindsay Beyerstein, Lance Mannion, Howard Greenstein, Marcia Stepanek, Jamil Smith, Jill Filipovic and others to bring some real-time attention to the winners, who included Frank Bardacke, Ta-nehisis Coates, Sarah Stillman, Katie Falkengberg, and Yoav Potash. Danny Glover and Sidney Poitier were inspiring presenters, and lovely to meet.